Viktor Vicsek’s generative audiovisual projection connects the elastic and flexible nature of kinetic architecture with the concept of the immateriality of light. By using the tools of reflection, virtuality and symmetry, he presents fictive spaces in constant transformation, the structures of which, composed of point-like elements, interpret the illusionism of the sotto in sù and quadratura techniques of Baroque ceiling frescoes, which dramatize the corporeal presence of the spectacle, into a 21st century medium.